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Story & Photos By Sandra Hale Schulman
San Francisco, California (NFIC) 12-08
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| Mike Smith and AIFI PR honcho Cindy Benitez share a laugh with Janice, Beverly and William Osceola as they receive gifts. |
The American Indian Film Institute (AIFI) put on another first class American Indian Film Festival, during November. As the nation’s most prominent outlet for Native American films, the American Indian Film Festival premiered over 80 new feature films, shorts, public service, music videos and documentaries from USA American Indian and Canada First Nation communities.
The festival ran Nov. 7-12 at the Landmark Embarcadero Center Cinema,
and concluded Nov. 13-15 at the Palace of Fine Arts, a grand old
theater once used for a Worlds Fair.
Among the feature films this year, the U.S. Premiere of Drew Hayden
Taylor’s In a World Created by a Drunken God; the World Premiere of
Coloring the Media; and the U.S. Premiere of Zacharias Kunuk’s
(Atanarjuat: The Fast Runner), Before Tomorrow, directed by
Marie-Hélène Cousineau and Madeline Ivalu.
A special event was produced this year – “Remembering Floyd Red Crow
Westerman (1936-2007),” a film and music tribute, was presented
November 13 at the Palace of Fine Arts. Westerman was an accomplished
singer/songwriter whose 1969 debut album “Custer Died for Your Sins”
earned critical acclaim. He also was a human rights activist who
performed with Sting in the rainforest benefits; and an actor who
received world-wide attention and acclaim as “Ten Bears” in Kevin
Costner’s Dances with Wolves. The musical tribute was a tearful, joyful
event directed by songwriter/ performer Keith Secola and hosted by
Floyd’s good friends comic Charlie Hill and actor Max Gail.
The evening started with a clip of Floyd’s last appearance at the
Festival two years ago. It was followed by the world premiere of my
music video “Drums” featuring Floyd singing with John Densmore of The
Doors, Keith Secola, soul singing skin Martha Redbone, and Dave Roe of
The Johnny Cash Band on bass.
This all-star band never actually got to perform the song together as
it was recorded in three different sessions over the course of a year.
Floyd fell ill shortly after it was finished. When I heard about the
tribute Keith was planning I began work on the video, which is part of
an album that is a tribute to Peter La Farge. I scrambled to pull
together clips of Floyd singing and speaking. Special thanks to his
widow Rosie Westerman for the photos and clips and also Brad Stoddard
of New Mexico who provided some great powwow drumming clips. John
Densmore also sent some clips of him drumming and some great stills.
The video was finished Tuesday night, I flew to San Francisco Thursday morning and the film was screened that night.
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Backstage with Max Gail, Bonnie Raitt, John Densmore and friend.
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After the films, Mike Smith brought out Keith and the special guests he
assembled including the legendary folk cowboy Rambling Jack Elliott,
actor Max Gail and Grammy winner/activist Bonnie Raitt. Members of
Floyd’s family were there including his daughter and widow. Special
audience guests included actor Michael Horse, Michael Spears, and
Sacheen Littlefeather, the woman who refused Marlon Brando’s Oscar in
the 70s.
Keith started the night off singing “Missionaries,” and provided first
rate backup for the rest of the singers. Bonnie Raitt sang a
heartbreaking version of “Angel From Montgomery,” the feisty Rambling
Jack thumped out “San Francisco Bay Blues,” Densmore ended the night
drumming on “Riders on the Storm.” Charlie Hill gave a touching funny
monologue about his many years of friendship with Floyd. Widow Rosie
Westerman spoke through her tears, saying that Floyd always told her
not to worry as the spirit world is the real world. She relayed a story
about a trip they took to Italy for a film festival. Swarms of media
and the Mayor greeted them at the airport. When Floyd stepped off the
plane he said, “I am here to discover Italy in the name of Sitting
Bull!”
On Friday, Nov. 14, AIFI’s Tribal Touring Program, a Native youth film
workshop program supported by tribal host partners, showcased 16 films
from the Rumsey Band of Wintun Indians, Brooks, CA; Stop the Violence
Coalition, Hoopa, CA; and the Federated Indians of Graton Rancheria,
Rohnert Park, CA. A swank luncheon for the filmmakers took place
Saturday at McCormicks restaurant at Fisherman’s Wharf. The Seminoles
were honored for their sponsorship, and Smith introduced many of the
luminaries in attendance.
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Charlie Hill and Jennifer Kreisberg of Ulali at the luncheon.
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The big night was AIFI’s American Indian Motion Picture Awards Show,
honoring filmmakers and showcasing contemporary Native American talent.
Special guest hosts included Michael Horse, Tonantzin Carmelo, and
Michael Spears. Fourteen awards were presented including Best Film,
Best Actor and Best Documentary. The show featured an eclectic mix of
live entertainment by established and emerging Native artists and
performers. New country artist Crystal Shawanda (Dawn of a New Day),
headlined the evening and won for Best Music Video. Misty Upham of
“Frozen River” (reviewed in NFIC recently) won for Best Supporting
Actress, while Wes Studi won Best Actor and “In a World Created by A
Drunken God” took Best Picture Honors.
The Yaaw Tei Yi dance group from Juneau, Alaska, put on a real
showstopper dance number singing tribal songs while stomping the stage
in gorgeous felt capes embroidered with Orca whales and eagles. The
troupe has been invited to perform at the Inauguration Festivities for
Obama in January.
Drew LaCapa was supposed to perform but was felled by a stroke a few
days earlier and is recovering. Charlie Hill stepped in and had the
audience roaring with laughter at his biting Native humor.
Micki Free and Shea Keck sang “Seminole Wind,” Swil Kanim played solo violin in a storytelling piece.
The evening ended with a hopeful speech by director Mike Smith who
praised the recent win by Barack Obama, who promises to be a staunch
supporter of Native Americans. He then decried the lack of media
coverage by San Francisco’s major daily newspaper The Chronicle, who
have yet to acknowledge the festival’s 33 year existence in a town that
has one of the largest Native populations in the country and the silent
former prison Alcatraz that sits in the bay as a daily reminder of the
power Natives have to be heard.
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